Etude VI: Agitato - Schumann*, Bernd Glemser - Symphonic Etudes • Phantasie In C Major (CD, Album)

8 thoughts on “ Etude VI: Agitato - Schumann*, Bernd Glemser - Symphonic Etudes • Phantasie In C Major (CD, Album)

  1. date | time: location: musician / partners: program: Vokalensemble Zürich: Tonhalle Zürich: Bettina Boller, violin Akademisches Orchester Zürich.
  2. Johann Sebastian Bach: Ouvertüre Nr. 1 C-Dur BWV Konzert für Violine, Streicher und Basso continuo Nr. 2 E-Dur BWV Robert Schumann: Phantasie für Violine und Orchester C-Dur op. Ludwig van Beethoven: Symphonie Nr. 2 D-Dur op. Zürcher Brockenhaus, Neugasse 11, Zürich (beim Hauptbahnhof) Bettina.
  3. s Asturias • Mallorca • Sevilla (see guitar favourites). Norbert Kraft. s Chant d'amour • Tango (see clar.
  4. Check out Schumann, R.: Symphonic Etudes, Op. 13 / Fantasie In C Major, Op. 17 by Bernd Glemser on Amazon Music. Stream ad-free or purchase CD's and MP3s now on apcreslintumedlyporzikaligesphe.co
  5. Listen to your favorite songs from SCHUMANN, R.: Symphonic Etudes, Op. 13 / Fantasie in C Major, Op. 17 by Bernd Glemser Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Download our mobile app now.
  6. The fifth etude is also cleverly imitative, built on impish dotted rhythms (and, for a change, finishing in E major rather than in C sharp minor), while the sixth etude is a study in syncopation. The seventh etude, which like the fifth moves to E major at the end, is quick-witted and repetitive, finishing with a crescendo and a flurry of finger.
  7. ALBUM Fantasy and Fugue on the chorale “Ad nos, ad salutarem undam“ for organ (theme from Meyerbeer's “Le Prophète), S. (trans. Busoni). Fantasy and Fugue on B-A-C-H, S. Variations on a Theme of Bach (the basso continuo of his cantata “Weinen, Klagen, Sorgen, Zagen“ and of the “Crucifixus“ of the B Minor Mass), S.
  8. First, it contains the finest version yet recorded of Glière’s epic Third Symphony, “Il’ya Muromets.” Second, it defines once and for all how the piece is supposed to go.” apcreslintumedlyporzikaligesphe.co 10/10 rating “…the glorious viola player [Lise Berthaud’s] playing is warm, agile, expressive, urgent.

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